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The Gods Are Going Viral

Chapter 2

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Chapter 2 of 2·5 min read·Moments after Chapter 1

The Door That Watched Back

The fourth knock split the basement door down the middle.

Elliot kept filming.

The phone screen showed the live viewer count climbing so fast the numbers blurred. Twelve thousand. Twenty thousand. Thirty-one. Comments streamed past in a white river.

**OPEN IT.**

**DON’T OPEN IT.**

**THAT’S NOT A BASEMENT.**

“Good,” Elliot said. “They’re arguing.”

The Red-Coated Woman seized his shoulder. “Put the phone down.”

“That would be terrible for retention.”

“Elliot.”

She said his name like a warning and a prayer. He glanced at her, then back to the door. Black dust sifted from the crack. Something on the other side dragged a fingernail down the wood.

The sound traveled through the church.

Every dead phone around Veyr’s idol lit up.

The faceless stone head turned toward the basement.

Elliot noticed. Veyr could not see him directly, perhaps, but the idol had found a way to face what threatened it.

“Can you open it?” Elliot asked.

“I can open any door with a threshold,” Veyr replied.

The voice shook the floorboards. “That one has been claimed.”

“By whom?”

The answer appeared in the live chat before the door gave it.

**BY THE ONE WHO WAS HERE FIRST.**

The Red-Coated Woman went pale.

Elliot caught the reaction on camera. “You know the name.”

“I know enough to tell you to stop.”

“That’s not an answer.”

“It is the only one you’re getting.”

The door bulged outward. Its brass knob twisted hard enough to squeal.

Elliot stepped closer. “Everyone watching, type the first locked door you remember.”

The woman stared at him. “What?”

“Comments are a ritual now. Apparently.”

He pointed the camera at the basement door. “Your childhood bedroom. A bank vault. The bathroom when your sister was in it. Doesn’t matter. Type it.”

The comments changed.

**MY FATHER’S STUDY.**

**THE CHURCH DOOR.**

**THE BOX UNDER MY BED.**

**THE DOOR TO MY MOTHER’S ROOM.**

The church filled with the thin electronic chime of notifications. Each phone around the idol received the same flood. Veyr’s crackling body drew the sound inward.

The stones beneath Elliot’s shoes warmed.

The door stopped bulging.

“What did you do?” the woman demanded.

“I gave the audience a prompt.”

“You gave it their thresholds.”

“Can Veyr use them?”

The idol’s blank mouth opened.

For one instant, Elliot saw a corridor behind the stone. Hundreds of doors stood in rows, each one labeled with a name, a date, or a single word. Some were tiny enough for a child. Others towered above the rest. All of them trembled beneath the pressure of unseen hands.

Then the vision vanished.

Veyr spoke more clearly than he had before. “I can use their attention.”

The rival knocked once.

Every phone went dark.

The livestream remained visible on Elliot’s screen, but the comments had stopped. The viewer count froze at 48,906.

A new message appeared beneath it.

**ELLIOT GRAVES, YOU HAVE BEEN INVITED THROUGH.**

Elliot looked at the door. “Invited where?”

The reply came from the phone speaker in his own voice.

“Home.”

His stomach tightened. The sound was perfect. Not a distorted imitation, not a recording. It was him—his flat vowels, his dry impatience, the slight rasp left by too much coffee and not enough sleep.

The phone camera swung by itself.

On-screen, Elliot saw a second Elliot standing behind him.

The copy wore the same gray jacket. It held the same cracked canvas bag. Its face was his face, but its eyes were covered by two blank white circles, like profile-picture placeholders.

The Red-Coated Woman pulled a silver knife from inside her coat.

“Do not answer it,” she said.

The copy smiled at the camera. “She told you not to ask questions too.”

Elliot turned.

Nothing stood behind him.

Only the church aisle. Only the broken pews. Only the woman with the knife held low against her thigh.

His phone still showed the copy.

“Is it in the screen?” Elliot asked.

“No.”

“Then where?”

“Everywhere a threshold has been opened.”

The basement door clicked.

A narrow line of darkness appeared between it and the frame.

The viewer count began rising again.

49,001.

49,002.

The copy leaned closer to the camera. “You made them look at him. I made them look at me.”

Elliot studied the frozen chat. No new comments appeared, but the count kept climbing. The rival was pulling viewers into the broadcast without giving them a way to speak.

That was the trick.

Attention without participation. A captive audience.

Elliot lowered the phone and walked to the basement door.

The Red-Coated Woman moved to block him. “You don’t understand what is below.”

“I understand numbers.”

“You will not come back the same.”

“I haven’t had a normal week since Tuesday.”

He reached for the knob.

The door whispered in his voice. “Open me.”

Elliot stopped with his hand an inch from the brass.

The rival wanted him to cross. It had said invitation, not permission. That mattered. A threshold god did not survive on vague wording. Elliot had spent his career finding the exact sentence that turned an angry client into a paying one.

He raised the phone again.

The copy appeared in the screen, grinning.

“You said you wanted my audience,” Elliot told it. “So let’s make this public.”

He tapped the livestream settings, switched on guest access, and sent an invitation to the only account watching without a username.

The profile accepted instantly.

The basement door slammed open.

A wind rushed up from below, carrying the smell of wet earth and old paper. The camera image fractured into four views at once: the church, the phone screen, a narrow stone stairway, and a black room at the bottom where something tall stood just outside the frame.

The viewer count jumped past fifty thousand.

The Red-Coated Woman grabbed Elliot’s arm. “What did you invite?”

“My competitor.”

“You invited it onto Veyr’s account.”

“Exactly.”

The idol gave a sound like a stone bell breaking. A crack raced from its chest to its throat. The dead phones around it flared white, and the livestream chat returned in a violent burst.

**WHO IS THE OTHER GUY?**

**WHY DOES HE HAVE ELLIOT’S FACE?**

**OPEN THE DOOR.**

**CLOSE THE DOOR.**

The tall shape below stepped into view.

It had no face. It had no body either, not in any stable sense. Its outline shifted through familiar silhouettes—a child, an old man, a woman in mourning, Elliot himself—while a hundred doorways opened and shut across its surface.

The copy on the phone stopped smiling.

For the first time, the rival seemed surprised.

Elliot aimed the camera at the thing in the stairwell.

“Tell them your name,” he said.

The figure raised one long hand.

Every door in the church opened at once.

Behind the front entrance was a hospital corridor. Behind the vestry was a subway platform. Behind the ruined altar waited a sunlit field under a sky Elliot had never seen. The thresholds connected to places that could not share a city, a country, or possibly a world.

The figure’s voice came through all of them.

“I am the audience you abandon.”

The viewer count hit 100,000.

Veyr’s idol turned toward Elliot. The new mouth in its stone face stretched wider.

“Close the doors,” Elliot ordered.

Veyr answered, “Which one?”

The figure below moved up one step.

Elliot looked at the flood of open thresholds, then at the rival wearing his face on the screen. He understood the shape of the trap. The rival had not come to steal Veyr’s followers.

It had come to make Elliot choose which world was allowed through.

He pointed the camera at the basement.

“Fine,” he said. “Then I choose the one with the highest engagement.”

He stepped across the threshold.

Elliot has crossed into the basement, where the rival’s many-faced body waits among impossible doors—and Veyr may no longer be able to close the one behind him.

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