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The Gods Are Going Viral

Chapter 14

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Chapter 14 of 14·6 min read·That same night, minutes after the previous chapter

The Door Under the Door

The first demolition truck arrived before the siren finished wailing.

Elliot saw it through Saint Orison’s broken rear wall, headlights washing over the weeds and collapsed brick. A second truck rolled in behind it, followed by a white utility van with **ORISON RENEWAL PARTNERS** printed on the side in tasteful gray letters.

“Emergency review means stop work,” Agnes said.

“Apparently not if you bring your own emergency.” Elliot shoved the foundation plan into his coat. “How long until they reach the sanctuary?”

Mara looked through the gap in the wall. “They already have permission to enter the site.”

“That wasn’t my question.”

“Ten minutes.”

“Then we have nine.”

The blue door on Elliot’s laptop had vanished from the plan. The paper lay flat and ordinary on the table, except for the darkened rectangle burned across the sanctuary floor. Ink had not made it. Something beneath the page had pressed upward, leaving the shape of a door from the wrong side.

The livestream was still running. Thousands of comments rolled past faster than Elliot could read them.

**THEY’RE BACK AT THE CHURCH.**

**WHITE VAN JUST WENT THROUGH THE FENCE.**

**I CAN SEE PEOPLE WITH HARD HATS.**

The internet had done what it always did when presented with danger and poor lighting: it had arrived.

Elliot grabbed the camera. “Everyone watching, stay where you are. Do not come to Saint Orison. If you are near the church, leave the block and report what you see from a safe distance. Tell me your real location and what direction you’re moving.”

The comments changed immediately.

**BUS STOP ON ORISON STREET. WALKING EAST.**

**THIRD-FLOOR FLAT, TWO BLOCKS NORTH. NOT GOING CLOSER.**

**I’M IN THE PHARMACY. THE SECURITY GUARD IS WATCHING THIS TOO.**

The viewer count jumped.

Veyr’s stone idol gave another dry click. A faint silver line appeared across its cracked brow, like moonlight trapped under the surface.

“Don’t spend yourself,” Elliot said.

The idol’s mouth did not move. The answer arrived in the room anyway.

“Then do not waste the threshold.”

Agnes picked up a ring of old keys from beneath the table. “There is a service stair beneath the sacristy. It was sealed after the flood of ’seventy-eight.”

“Sealed how?”

“Brick, concrete, and a bishop’s decision.”

“Which one matters?”

“The bishop’s decision. The rest has been altered several times.”

Mara stepped between them and the basement door. “We use the stair.”

Elliot stared at her. “You said the route wants us to open the church.”

“It wants a witness. It may also want a body.”

“You’ve known about the foundation longer than Agnes admitted.”

Her face tightened. “I knew there was something beneath the sanctuary. I did not know what it had become.”

“That distinction would have been more useful yesterday.”

“Yes.” Mara did not defend herself. “It would have.”

The blunt admission stopped him more effectively than an argument could have. Then a grinding roar shook dust from the rafters.

Outside, the first excavator swung its arm toward the sanctuary wall.

Elliot turned the camera on himself. “We’re going below. Nobody follows us. Keep posting where you are, not where you want to be. If the broadcast shows a door or a call from someone you know, verify it independently before you answer.”

He looked at Nadia’s name in his contacts. No new messages. He wanted to call her. He wanted to hear her complain about the rain and accuse him of being impossible. Instead, he sent one text.

**You safe? Your choice whether to answer.**

The reply came almost at once.

**Hospital lobby. Security guard thinks I’m having a breakdown. I’m choosing coffee.**

Elliot breathed out.

**Good choice.**

**Don’t make it sound like you approved it.**

He almost smiled. Then the excavator struck the sanctuary wall.

The impact boomed through the church.

Agnes led them through the sacristy, past overturned pews and a saint whose stone nose had been broken off. Behind a warped wooden cabinet, she found a narrow door covered in old paint. The lock had rusted shut.

Mara reached for it.

Elliot caught her wrist. “No.”

Her eyes flashed. “We don’t have time for your principles.”

“We don’t have time for thresholds we haven’t tested.” He raised the camera. “Veyr.”

The idol was too far away to see them, but the god answered through the livestream’s audio, his voice thin as a key turning in a distant lock.

“Not every door is mine.”

Agnes pressed her palm to the wood. “This one is.”

“Because?”

“Because I closed it.”

That was not an answer Elliot liked. It was, however, an answer he understood.

He aimed the camera at the door. “Audience, describe where you are and whether you can see a door that should not be there.”

Hundreds complied. A woman in a laundromat reported the ordinary metal door beside the dryers. A man in a parked bus reported the emergency exit he had already checked twice. Someone in Singapore posted a picture of a blue-painted door in their apartment hallway, then immediately uploaded a second picture showing the same hallway without it.

The false doors flickered in the comments, appearing wherever attention gathered too silently.

Agnes turned the key.

The lock opened with a sigh.

Beyond it was a stairwell descending through fresh concrete. The steps were narrow and wet, though Saint Orison’s foundations had been dry for decades. At the bottom, work lights glowed.

Mara swore.

“Someone’s already down there,” Elliot said.

They descended.

The deeper they went, the colder the air became. The livestream camera struggled, its image filling with gray static. Elliot kept talking—not to fill the silence, but to make sure the silence could not own the audience.

“Tell me what you had for breakfast,” he said. “Tell me the worst thing you’ve ever had to assemble without instructions. Tell me the name of the first place you remember being locked out of.”

The comments surged with toast, flat-pack furniture, and childhood bedrooms.

Veyr’s power trembled through the connection. Not enough to open a passage. Enough to keep the camera from going dark.

At the foot of the stairs, they found a temporary barrier made from orange fencing. Behind it stood Dorian Pike in a white hard hat, staring at a circular hole cut through the sanctuary floor.

He was broader than Elliot expected, with a neat gray beard and the patient expression of a man whose paperwork had always worked better than other people’s objections. Two demolition workers stood beside him. Between them sat a hydraulic drill, its bit sunk into old foundation stone.

Pike glanced at the camera. “You’re trespassing.”

“You’re excavating beneath a protected site during an emergency review.”

“I have an exemption.”

“You have a shell company.”

Pike’s smile did not move his eyes. “That too.”

Behind him, the drilled circle gave a soft metallic knock.

Three blows.

The workers looked at one another.

Elliot stepped closer. “Shut down the drill.”

“It isn’t running.”

The knocking came again, louder this time.

The hole in the floor was not black. It showed a corridor descending beyond the reach of the work lights. At its far end stood the blue door, paint bubbling around the white telephone handset.

A phone began to ring.

Every device in the basement answered at once. Elliot’s camera. Agnes’s old flip phone. Mara’s dead-looking handset. The workers’ radios. Even the excavator above, its warning alarm changing rhythm until it sounded like a cheerful ringtone.

Pike took his phone from his pocket.

The screen displayed one incoming call.

**DORIAN PIKE**

He stared at it.

Elliot moved between Pike and the hole. “Don’t answer.”

Pike’s thumb hovered. “You think I’m afraid of a telephone?”

“No. I think you’re exactly the kind of man it’s been waiting for.”

The livestream comments began vanishing. Not all at once this time. One by one, as if something below were reading them and choosing which voices to keep.

Then a new comment appeared from an account with no profile picture.

**I AM BENEATH SAINT ORISON. I AM WAITING FOR THE OWNER.**

Pike answered the call.

The basement lights went out.

In the dark, Nadia’s voice came from the hole.

“Elliot,” it said. “You left the door open.”

Elliot heard Agnes gasp. Mara seized his arm. Somewhere above them, stone began to grind against stone.

He raised the camera toward the blue door, though the screen showed only darkness.

“Everyone,” he said, forcing his voice steady, “say where you are.”

For one heartbeat, nobody did.

Then the comments returned in a flood.

**I’M IN MY KITCHEN.**

**I’M AT THE PHARMACY.**

**I’M NOT UNDER THE CHURCH.**

The darkness recoiled from the sound of them.

And beneath the floor, the blue door opened inward.

Next

With Dorian Pike’s call connecting the excavation to the Quiet Below, Elliot must decide whether to enter the opening blue door or seal it while the entity speaks through Nadia’s voice.

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