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The Gods Are Going Viral

Chapter 9

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Chapter 9 of 9·6 min read·That same morning

The Person Behind the Door

The handle turned again, and every phone in the audience chat began displaying the same question.

**WHO IS INSIDE?**

Elliot backed away from the blue door. The camera on his phone remained pointed at it, catching the brass cat sticker, the bubbling paint, and the white share arrow split down the middle. Behind him, the Red-Coated Woman held her knife low. Veyr stood with one hand pressed against the air beside the frame, his fingers sinking into a threshold only he could feel.

“Do not let them go quiet,” Elliot said.

“I am attempting to keep them alive,” the Red-Coated Woman replied. “Their entertainment is not my first concern.”

“Today it is the same concern.”

The handle stopped.

On the livestream, the comments continued to move.

**I’M OUTSIDE A CHURCH BUT THERE ARE SIX IN THIS CITY.**

**HEARD A BELL. NO, WAIT, THAT’S MY NEIGHBOR’S MICROWAVE.**

**THE ACCOUNT THAT SENT IT TO ME WAS @ORISON_RESTORATION.**

**I GOT IT FROM @ORISON_RESTORATION TOO.**

Elliot seized on the repeated name. “Everyone who received the video from @ORISON_RESTORATION, don’t open the video again. Tell me how you know that account. Was it already following you? Did it have a real name? Any old posts?”

The responses flooded in.

**ACCOUNT CREATED THIS MORNING.**

**NO POSTS BEFORE TODAY.**

**PROFILE SAYS SAINT ORISON PRESERVATION COMMITTEE.**

**I FOLLOWED IT BECAUSE MY GRANDMA WENT TO THAT CHURCH.**

**IT SENT THE VIDEO TO MY ENTIRE CONTACT LIST.**

The blue door shuddered.

A line of pale light appeared around its frame—not the dark blue glow of the impossible corridor, but the yellow-white light of Saint Orison’s nave. The door was trying to become ordinary. That frightened Elliot more than the supernatural version. The Quiet Below had always been strongest when a strange thing could pass for a familiar one.

“Can you tell where the sender crossed?” Elliot asked Veyr.

The god of thresholds looked offended. “I can tell where doors have been used.”

“That’s not the same thing.”

“It is when one is a god and the other is a social media manager.”

“Can you tell which door?”

Veyr’s face tightened. “Not without opening the church.”

The Red-Coated Woman stepped between them and the blue door. “No.”

Elliot looked at her. “You know something.”

“I know that Saint Orison has twelve exterior doors, three cellar entrances, a bell-tower stair, and windows large enough for a determined idiot.”

“That sounded oddly specific.”

“I have maintained this place for eleven years.”

“You’ve maintained it alone?”

Her silence answered him.

A new comment appeared, this one from an account with a photograph of a laughing man in a yellow hard hat.

**I’M TWO BLOCKS FROM SAINT ORISON’S. THERE’S A VAN OUT FRONT. WHITE, NO LOGO.**

Another followed.

**I’M ON ORISON STREET. I CAN SEE THE CHURCH. FRONT DOORS ARE CHAINED.**

A third:

**I’M IN THE COFFEE SHOP ACROSS FROM IT. THE BELL TOWER WINDOW IS OPEN.**

Elliot enlarged the last comment. “Ask them for a description.”

The viewer answered almost immediately.

**SOMEONE IN A RED SCARF. MOVING AROUND UP THERE.**

The Red-Coated Woman went perfectly still.

Elliot turned toward her coat. “You don’t wear scarves.”

“No.”

“Do you know who does?”

She looked at the door, not at him. “The church’s last caretaker.”

“Name.”

“Agnes Pell.”

“Is she alive?”

“She was when I last saw her.”

“When was that?”

“Seven years ago.”

The audience reacted with the brief, delighted horror of people receiving exactly the kind of answer they had come online to fear.

**THE CHURCH HAS A GHOST CARETAKER**

**AGNES PELL LORE DROP**

**ASK IF SHE HAS A LINKTREE**

Elliot ignored those and addressed the camera. “Nobody go to the church. Nobody enter Saint Orison’s. If you’re nearby, stay outside and describe only what you can independently verify.”

The Red-Coated Woman’s eyes narrowed. “You’re going to use them as witnesses.”

“I’m going to use them as people.”

“You have a flexible definition.”

“Occupational hazard.”

From behind the blue door came a soft dragging sound. Something heavy moved across the church floor.

Veyr flinched. His outline lost a strip of shoulder. “The threshold is being claimed.”

“By Agnes?”

“By whoever stands upon the other side.”

Elliot lifted the phone closer to the door but stopped before its light touched the crack. “Can you open a different door to the same person?”

“Perhaps.”

“Can you open one that shows where they are without letting them through?”

“That depends on whether you understand the difference between showing and inviting.”

“I do now.”

Veyr studied him. “You have learned one useful thing.”

“Put it on my résumé.”

The god pressed both hands against the basement wall.

Every door in Saint Orison’s slammed at once.

The audience heard it through Elliot’s stream: a concussion of wood and metal traveling upward through the building. The comments stuttered. For one dangerous second, the flow slowed.

Elliot saw the viewer count dip by six thousand.

“Keep talking!” he shouted. “Name where you are. Name what you can see. If you’re in a room, describe one object you personally touched in the last minute.”

The comments surged back.

**KITCHEN, BLUE MUG, I’M HOLDING IT.**

**BUS 14, RUBBER POLE, I’M STANDING NEXT TO IT.**

**COFFEE SHOP, CERAMIC SUGAR JAR, HAND ON IT NOW.**

The basement filled with the smell of dust and rain.

A second image appeared in the livestream—not on the door, but across the black screen of Elliot’s phone. A high room with broken plaster. Wooden beams. A narrow window showing the gray face of the city.

A figure in a red scarf stood beside a church bell.

The person turned toward the camera.

She was an old woman with white hair braided down her back. One hand held a phone. The other rested on the bell rope.

“Agnes Pell,” Elliot said.

The woman on the screen smiled without surprise. “You took your time, Elliot Graves.”

The audience erupted.

**SHE KNOWS HIS NAME**

**IS THAT THE REAL CARETAKER**

**WHY IS SHE USING THE ACCOUNT**

Elliot kept his voice level. “Did you send the broadcast?”

“I sent it to the people who still remembered this place.”

“Did the Quiet Below make you?”

Agnes glanced toward something outside the frame. Her smile faded. “It made the door. I chose to open it.”

The distinction struck him with the weight of a falling stone.

The Quiet Below could use shares as routes. It could bait, copy, and hold. But it still needed choices to become passages.

“What do you want?” Elliot asked.

“To keep Saint Orison standing.” Agnes looked past the camera, toward the bell tower’s dark stairwell. “The city will demolish it tomorrow. The god below this church will vanish with it.”

Veyr’s expression sharpened. “She speaks of me.”

“I know,” Agnes said. “I have been listening to him complain for forty years.”

The Red-Coated Woman stepped closer to Elliot. “Agnes, step away from the threshold.”

Agnes laughed softly. “Still giving orders, Mara?”

Elliot looked at the Red-Coated Woman.

Mara’s knife lowered an inch.

“You know her,” he said.

“I told you I maintained the church.”

“You neglected to mention you had a name.”

“Names are doors.”

On the screen, Agnes’s expression changed. Fear moved through it—not fear of Elliot, or Mara, or the audience. Fear of the unseen space behind her.

“I opened it because it promised to preserve the church,” she said. “But it does not want the church preserved. It wants everyone who remembers the church to remain here with it.”

Behind Agnes, the bell began to swing.

No one touched it.

The Quiet Below’s voice came through the stream, quiet and intimate.

“Agnes chose,” it said. “So did you.”

The blue door handle turned from the basement side.

Elliot reached for it, then stopped himself. He faced the camera instead.

“Agnes,” he said, “you opened a route. You can close it.”

“I don’t know how.”

“Then listen to everyone watching. They’ll tell you where they are. You tell us where you are. No one comes through. No one sends the video. We make the choice visible.”

For the first time, Agnes looked directly into the camera as though she could see the audience rather than merely the phone.

The comments rolled beneath her: kitchens, buses, bedrooms, cafés, one dentist’s waiting room, and a man who claimed to be hiding inside a laundry basket for reasons he refused to explain.

Agnes gripped the bell rope.

“I am in the bell tower,” she said. “I am holding the rope. I am not coming through the blue door.”

The door slammed shut.

The share arrow shattered into flakes of white paint. Across the screen, @ORISON_RESTORATION vanished.

But the bell kept ringing.

Once.

Twice.

On the third peal, every viewer received a new notification.

**SAINT ORISON HAS INVITED YOU TO JOIN.**

Agnes has identified herself and refused the blue door, but Saint Orison’s bell has invited the entire audience to join whatever is waiting inside.

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