Chapter 4 of 50·5 min read·That same night, moments after Chapter 3
The Man Behind the Door
The knocking stopped when Iris turned the key.
Ruth’s pistol remained aimed at the seam in the cemetery wall. “Open it slowly.”
“I had no intention of throwing it open.”
“That has never stopped you before.”
Iris pulled the door toward her. Rust broke loose in flakes. A narrow room waited beyond, lit by a single yellow bulb swinging from a wire. Shelves lined the walls. Metal boxes, cemetery ledgers, sealed evidence bags, and old crematory tags filled them in careful rows.
No man stood there.
Ruth moved first. She entered sideways, gun raised, and swept the room. Iris followed with the Polaroid camera clutched in one hand and her father’s warning in the other. The air smelled of dust, wet stone, and something sharp beneath it.
Blood.
The knocking came again.
This time it came from the floor.
Ruth spun toward the sound. “Back out.”
The boards beneath the central table shuddered. A square trapdoor had been built into the concrete, its iron handle wrapped with a strip of black cloth. Something struck it from below.
Iris stepped closer.
“Don’t,” Ruth said.
“Someone is trapped.”
“Someone may be trying to lure us over a hole.”
“Then they have selected an inefficient method. They could have left a note.”
The blow came again. Weaker this time.
Iris set the camera on a shelf and crouched beside the trapdoor. The handle was slick. She pulled a handkerchief from her pocket, wrapped it around the iron, and lifted.
The door opened three inches.
A hand shot through the gap and seized her wrist.
Iris struck it with the brass key.
The fingers released her. Ruth caught the trapdoor and hauled it back. Beneath it, a man lay on his side in a narrow service shaft. His wrists were bound behind him with copper wire. Blood had dried along his temple, and one trouser leg was dark from the knee down.
“Help me,” he said.
Ruth lowered her gun only enough to reach for him. “Name.”
“Edwin Mercer.”
Iris looked at the shelves. Every box bore a date, a crematory number, or both.
Mercer’s face had aged badly since she had last seen him. His skin looked gray beneath the blood. His expensive coat was torn at the shoulder. Around his throat, red marks showed where something had been tightened and removed.
Next
Iris has found her dead father alive, but something is dragging itself toward them through the tunnel—and he refuses to say who is taking the photographs.
Mercer flinched at the word. “Your father was never cremated.”
Ruth’s hand found the wire around his wrists. “I’m cutting this. If you lunge, I shoot you.”
“I’m in a hole,” Mercer said. “Where exactly would I lunge?”
“People surprise me.”
“Not often enough.”
Iris took the small folding knife from Ruth’s belt and cut through the copper. Mercer pulled his hands free and crawled out of the shaft. He tried to stand, failed, and caught the edge of the table.
“Who put you down there?” Iris asked.
Mercer pressed a hand to his head. “Your father.”
The answer was too quick. Too prepared.
Iris picked up the camera. “My father died a year ago.”
“He arranged for you to think that.”
Ruth shoved him against the shelves. Metal boxes rattled behind his shoulders. “You have thirty seconds to make that sentence useful.”
Mercer stared at Iris. “The heart attack was real. The death certificate was real. The body was not.”
Iris felt the room narrow around the words. “I identified him.”
“You identified a man with your father’s height, his dental work, and a face damaged by heat. Mercer’s crematory prepared the remains.” He gave a thin, painful smile. “My crematory. My mistake.”
“Why would he fake his death?”
“Because he found out what we were doing with the photographs.”
Ruth’s pistol came up again. “What photographs?”
Mercer looked at the Polaroid in Iris’s hand. His expression changed when he saw it. Not surprise. Recognition.
“That camera was in the archive,” he said. “Your father took it from us.”
“Us?” Iris asked.
“People who believe death is a door instead of an ending.”
“Religious fanatics?”
“Accountants, mostly.”
Ruth glanced at Iris. “He’s concussed.”
“He is still answering the important questions.”
Mercer wiped blood from his eyebrow. “Your father’s business was not funeral service. Not entirely. He documented deaths before they happened. Sometimes the pictures came true. Sometimes they showed a choice that could still be changed. Every time someone interfered, the next image appeared.”
Iris thought of the first photograph: her body on the embalming table. The staircase. The study. Her father standing beneath the scratched words.
“Why did he leave the camera for me?”
“He didn’t.”
The camera clicked.
Mercer jerked away from it. Ruth seized Iris’s elbow, but the old mechanism had already begun to whine. A white square slid from the front slot and landed on the table.
Iris did not touch it.
Mercer stared at the photograph as it developed. The image showed the service room from above. Ruth stood beside the trapdoor. Mercer leaned against the shelves. Iris faced the far wall.
A door had appeared there that did not exist in the room around them.
The date surfaced at the bottom.
OCTOBER 12.
Today.
Iris turned toward the wall.
There was no door. Only shelves and stained concrete.
Mercer whispered, “He’s here.”
A scrape sounded behind the shelves.
Ruth shoved Mercer toward the entrance. “We’re leaving.”
Iris caught the edge of a metal box before it fell. The label read CALLoway, E.—TRANSFER RECORDS. Beneath it sat a second box bearing her father’s name and the date of his death.
She pulled it free.
Mercer grabbed her sleeve. “Leave it.”
Iris drove her elbow into his ribs. He folded with a grunt, and she tucked the box beneath her arm.
“You’ve had a year to tell me,” she said. “You can wait another minute.”
She stripped the nearest shelf of its boxes and shoved it sideways. The unit moved three inches, then stopped against something hidden in the wall. Ruth holstered her gun and helped her pull. Metal screamed across concrete.
Behind the shelves was a narrow black opening.
The door from the photograph.
A man stood on the other side.
Iris saw his hand first. Soil darkened the nails. A pale scar crossed the index knuckle. Her father’s chipped wedding ring circled the finger beside it.
Then the man stepped into the yellow light.
His face was thinner than the one she remembered. His hair had gone almost entirely white. A cut ran from his left temple into his beard, but the eyes were unmistakable.
Her father looked at her.
“You opened the door,” he said.
Iris held the evidence box against her ribs. “You were supposed to be dead.”
“I was.”
Behind him, something metallic began to advance through the tunnel, dragging itself over the concrete.
Her father’s gaze moved to the camera. “And tomorrow, if you stay here, you will be.”
Iris stepped through the hidden doorway before Ruth could stop her.
“Then tell me,” she said. “Who takes the pictures?”