The Name in the Floodwater
By dawn, Mara had listened to Daniel’s message forty-three times.
The recording never changed. Static rose and fell beneath his voice, thick as surf against rock. Please don’t send anyone. He knows we’re still alive. Then, after a pause that seemed to contain a breath, Daniel had said her name—not Mara, but the childhood nickname he had used only when they were alone.
Mare-bear.
She had deleted the word from the official transcript before anyone could see it. She had not deleted the copy on the recorder in her desk.
At 7:12, Jonah Reed called from a number that appeared nowhere on her phone’s history.
“Your office is being watched,” he said.
Mara stared through the dispatch center’s glass wall. Rain stitched the parking lot gray. Two black SUVs sat beside the municipal building, their engines running. A man in a dark coat stood between them, motionless beneath an umbrella he wasn’t holding.
“By whom?”
“People who don’t like old stories becoming current events.”
“You sent me a photograph.”
“And you listened to it?”
“Who took it?”
“Not me. I bought the camera card from a salvage diver in Portland. He found it wedged behind a pressure door two miles off Blackwater.” Jonah paused. “There’s a woman with me who says she was inside that facility.”
Mara’s hand tightened around the phone. “A survivor?”
“That’s what she says. Her name is Lena Ortiz. She’s terrified of the island, the government, and apparently me. I’m less offended by the first two.”
“Where are you?”
“Saint Agnes Motel, room eighteen. Come alone.”
Mara looked again at the SUVs. The man beneath the umbrella had turned his face toward the building.
“Too late,” she said.
The man entered the lobby ten minutes later. He showed his badge to the receptionist but not to Mara. He was tall, pale, and composed, with the stillness of someone accustomed to rooms making space for him.
“Caleb Voss,” he said when he reached her desk. “Department of Civil Security.”
“That department doesn’t exist.”
“It exists when necessary.”
He placed a folder beside her keyboard. On its cover was the Blackwater quarantine emblem, a black circle crossed by seven white lines.
Next
The unplugged motel radio begins transmitting as Lena reveals what lies behind the first of Blackwater’s seven doors.